CURRENT

ERUTAN means Nature in mirror writing. It is my new project which investigates the eurocentric nature-culture relationship in asking my future shareholders, the Native Americans and African Americans in Manhattan. The project starts in the first week of November with my departure.
I am leaving my home in the Swiss mountains vis-à-vis the mountain Niesen (see on my Instagram) with my spouse Fred, who is a musician. We are travelling to the land of the Lenape, Manhattan (NYC) and hope to find our path over there. You can see some of my future collaborations on this site, so please come back. My art research is supported by the SNF Swiss National Science Foundation and the Burgergemeinde Bern, I thank both institutions for their support. 

PAST

My post-dada work will travel on, thank you to the curator team of Fotomuseum Winterthur ! 

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video and artistic manifesto Take A Better Picture (2017)
Dorothée Elisa Baumann

HOW TO WIN AT PHOTOGRAPHY

– IMAGE-MAKING AS PLAY

Fotomuseum Winterthur | Saturday, 05.06. – Sunday, 10.10.2021

 

Artist talk walk with Dorothée Elisa Baumann in conversation with Katrin Bauer

5th April 2021, 4pm

 

 

Curated by Marco De Mutiis and Matteo Bittanti

Assistant curator: Katrin Bauer

Director Fotomuseum Winterthur: Nadine Wietlisbach

www.fotomuseum.ch

How to Win at Photography – Image-Making as Play explores the relationship between photography and play. It investigates the notion of image play, creating unexpected connections between the history of photography, the gamification of the visible as well as practices of image making with(in) computer games.

The group exhibition How to Win at Photography includes more than forty positions from contemporary and 20th century photography. Through an assemblage of multimedia artworks and vernacular images, the exhibition questions the very meaning and function of photography today.

Are we playing with the camera or is the camera ultimately playing us? Are we really in charge or are we mere pawns in larger technical, social, cultural and economic networks? What can a playful photographer achieve on a political and socio-cultural level? Who and what is performing the act of seeing and capturing – humans, machines or a combination of both? And finally, can this game be won? These are just some of the questions posed by How to Win at Photography.

The exhibition invites visitors to focus on the playful aspects of photography. The exhibition looks at artists and photographers who play with – and sometimes against – the camera, document the environments of videogames and question the notion of identity, gender and class.

 

With works by: Cory Arcangel, Claude Cahun, John Hilliard, Cindy Sherman, Ai Wewei, John Yuyi and many others.